Wednesday, July 15, 2015

The Haitian Vodou Tarot Deck

I am working on a new tarot deck. I am tentatively calling it the Haitian Vodou Tarot, with the Major Arcana reflecting the Rider-Waite dynamic of an initiate's journey - only in mine, it's about Kanzo (the final initiation in Haitian Vodou and the ordination rites that make one a priest.) I am pretty happy with the Majors here - a few tweaks for color and style, but the images say what I want, and I am grateful to everyone who gave me permission to use their image or photos.

My Minor Arcana is hung on the Qabala, with four elemental association per sphere. And in place of the court cards, I used the Four Elements as nations of West Africa, illustrating the rites related to each one. Simple, right? Wrong.

I am not a 'drawing' artist - I sculpt. I worked as a graphic designer for 30 years, before I hung up my protractor permanently. And these days I am more of an assemblage worker than sculptor, per se. But still, form is my medium, my muse and my focus. Working in visual medium on this deck is a challenge to me - not that I don't like a challenge. I am a Scorpio after all...

But it has been real job finding the images that say what I want to say, and then getting permission to use them or buying the images outright. I've probably spent close to $500 on royalty free images from Deposit Photos and Dreamstime. Excellent sources btw, but still a huge out of pocket expense for a deck that might not be published until next year. I also dug deep into our own national treasure chest known as the Library of Congress. They are amazing folks down in DC - they take online requests, do all the leg work and best of all - it's free! Their online digital collections are extensive, so if anyone is looking for vintage whatever, I heartily suggest checking them out.

And of course, I am writing the essays for each card; a major under taking in and of itself. No deck gets out there today without a book attached, so I am in fact doing two projects at one time. And I just found out I am presenting a panel on Haitian Vodou in the USA at a very prestigious conference in Montreal this fall.  Therefore, I will not be taking on any new work while I dig into these three projects.

But -- I thought I'd give y'all a sneak preview at the Major Arcana images, since I am probably a year from publishing the completed project. Please, any and all comments, criticisms and compliments are welcome at this stage. Just curious what all comes this way. Ayibobo!



No artwork is ever done in a vacuum. Many hands lend ashe to the work. Here are the folks who helped me make my vision a reality:

Photography Credits:
Bon Houngan, Gro Mambo, Tambouye, Possession, Hanged Man, Jete Dlo, Z'twal were photographed by Kirstin Brug
Empress, Emperor, Justice, The Devil, The Tower, Brule Zin, Asogwe Kanzo were photographed by me, Mambo Vye Zo
Suleliye, Leve Kanzo from my private collection of my 2003 Kanzo in Jacmel, Haiti

Composite Photos:
Wheel of Fortune's sugar mill wheel was licensed from Dreamstime, with the Wheel of Fortune's "Elder Mambo" used with permission from the Riguad estate.
The Hierophant is a composite from a photo by Patrick Souvenir (with permission) and background shot in our yard in 2007.
The Lovers is a composite photo with the couple shot by by Jake Price for the Broward News Times (with permission) and our Petro altar shot by me.
Holy Death is a composite photo with the Red Capped Man licensed from Dreamstime and the background Carnival on the street in Jacmel, Haiti, shot by me in 2007.

La Ren Luminiere - TBD


Monday, July 13, 2015

Simbi Dlo A Ye - Simbi Dlo A Ye!

I had a client last week order a Kongo Paket from me. He simply stated a Simbi paket. I ended up creating it for Dlo, the watery, majestic and brooding father of the group. The Simbi nation hails from the Kongo region of West Africa and currently is enjoying a certain popularity in our sosyete. Seems I can't turn anywhere without Simbi walking up and saying Hello, see me? Let's do some magic!

Simbi is the most magical of all the Lwa. Mercurial, fast, transformative, Simbi carries all the same ideas and concepts of serpents in the occult. He is knowledge: the deep, ancestral kind. He can make change happen very quickly. And he has a particular fondness for the houngan. Recently I wrote about Simbi Makaya on my blog here.  Makaya is showing a lot of energy for some members of the house. It's always interesting to me to see just how unique the Lwa are, and how specific they work. But back to Simbi Dlo here.

When I receive a request, I do a reading, to see how the Lwa themselves want to interact with me. Creation is not a solitary pursuit. I've been reading Austin Kleon's Steal Like an Artist and Show Your Work. Both are very satisfying to me as an artist. I live a rather solitary life, so having someone tell me I am not crazy (besides the houngan) is very comforting, but more importantly gives me a reason to make more art. So I like to engage the very characters I create -- their added ashe gives my work a particular zing that isn't present for others. I can't claim to be the biggest or best mambo, but I can claim that the Lwa like me and put their energy into what I do.

So I sat with my divination tools -- in this case, my own Tarot deck that I've been working on -- and asked which Simbi this was for. Simbi Dlo stepped right up and claimed my head immediately. I sat for a moment, said my prayer, gave thanks, offered some water and tipsily made my way to the table of arte -- or art, whatever -- and began to tie, wrap and sew his paket. I added his herbs, some perfume he likes, a couple bits of snake skin and some mapou leaves from Haiti.  Wrapped it tight, prayed over it and then dressed up proper.

Then, I actually read the order note -- which said my client had ordered a boutey (bottle), not a paket.

Well, **le sigh**, okay. Boutey it is.

So I wrapped up a boutey I had made earlier (also for Simbi - told ya he's been big on my head these days.) Thought about it for moment, and also packed the boutey. What the heck, I don't need another paket kicking around the houmfort and Simbi was obviously WANTING this to go to the client, so I sent it along.

About an hour later (after said package was out in the mail already,) the client wrote to me and said Oh by the way, I'd like it to be for Simbi Dlo. Well of course you do darling! Mama knows and Simbi got his Boutey AND paket.

And in the way that the Lwa work, the client was very grateful and paid for both. I am very blessed to have the Lwa be so involved and to have a very forthright client. But I would also venture a guess that Simbi had a hand in all this as well.

Mesi Papa Simbi - pou tout rèv nou devni reyalite! (May all our dreams come true!)

Tuesday, July 7, 2015

July's Reading: Legba Atibon and Nana Bukulu



Legba Atibon is the solar Lwa, whose songs all speak of his fire and power.  He is the perfect herald of the summer, bringing his light and warmth to our house.  Legba Atibon is the poto Legba, the great pillar upon which all the Lwa enter sacred space, whether that space is in a physical house or outdoors beneath a tree.  His songs all speak of this solar energy, being so blazing, not event he Lwa can stand before it:

Legba nan baye!
Se ou ki pote drapo,
Se ou ki parey soley, pou lwa-yo!
Legba is in the gate!
It is you who carry the flag,
It is you who shade the sun for the Lwa.

Brilliant and powerful, this Legba shines forth to illuminate everything.  There are no shadows in the presence of this Lwa. His invigorating energy makes everything begin anew – from plants to gardens and even us.  We take this time of year to refresh and relax. Vacations help us wind down and renew ourselves.  School is out, giving kids a chance to entertain themselves with bike rides, ball games and swimming holes.

Just as dawn is the start of a new day or new beginning, Legba Atibon signals a new start for us.  He straddles the mid-year of midsummer and solstice.  His avatar, St. Anthony has not one but three feast days in June – the 16th, the 21st and the 24th – demonstrating Legba’s talent for moving between spaces.  In this case, he moves from the season of summer, straight into the solar celebration of Solstice and summer.  His arrival is marked by the first harvest of fruits and the opening of the summer season.  That opening action takes place all over if you have the eyes to see.  Here in Philadelphia, public pools open for the season. The Jersey shore opens its summer houses for rent, the traffic that normally clogs the roadways opens up and everyone everywhere senses the great primal energy of the summer sun.  It is a good time to review where we’ve been, so we know what’s ahead. 

Legba opens the way for a good summer of pleasant weather, invigorating happenings and joyous celebrations of the season. And his energy (openings, beginnings, communication, travel, contracts, music and all spoken skill sets) will surmount all things this month.  Now is the perfect time to begin a new project that you have been putting off.  Writing as form of communication is ruled by Legba, so get a glass of summer wine, sit out on the patio and start writing your novel or work on your poetry.  Express yourself through gardening, painting or just walking out into the sun each day.  A daily dose of sunshine will help give you a boost of energy for all those activities you will suddenly have!

 
But this is also the mid-half of the year and that means we begin the slow descent into fall and winter as well. The sun begins to sink lower throughout the summer, bringing us full circle to the end of the year.  So it is a fitting match that July’s Shadow card is Nana Bukulu. In the old stories, Nana is visualized as the moon. Visible at night but not during the day, she is said to constantly watch over us even though we cannot see her in daylight.

Our closest heavenly body is illuminated by the sun.  Her evening glow is the reflection of the sun, and she shines forth only when the sun is on her face. Just as Legba illuminates us, he also shines on Nana Bukulu.  Legba’s solar light casts a soft glow on the moon, bringing our dreams and wishes into focus.  It is a unique combination for this time of the year. Legba’s solar energy powers the dreams of Nana's moon, making it the opportune time to get your personal ideas off the ground and bring them into manifestation.  Together, the sun and moon, Legba and Nana make a lovely pairing for the arc of the year, heralding a beautiful month of new beginnings.

Thursday, July 2, 2015

Heaven's Mirror: Terrifying and Beautiful


The title of this blog is one of my favorite expressions. Not sure where it came from, but I love using it to describe the relationship we have with a Lwa or an angelic or even a demon.

Angels are said to be so beautiful they are terrifying to look at. A physical manifestation of everything at its absolute pinnacle can be enough to drive one mad. I think it means that we cannot comprehend the visual of either, making us terrified of either angel or demon countenance. But I also  believe we are the mirror of heaven - we reflect the angels and demons as they do us. And if that is so, then yes, it is truly terrifying. Read the news of late, to see what I mean. ISIL destroying humanity's heritage; black churches being burnt to the ground; children being arrested for being kids. Heaven's reflection is pretty awful these days.

Of course, you can't swing a wand without hitting someone channeling Michael. Or writing for Michael. Or being Michael on odd days of even numbered months.  This whole walking with Angels thing is not cool at all -- especially if you actually knew what an angel was.  If you look at older works of religious art, you will see angels rendered as dreamy Victorian ladies (never men) in flowing gowns and large swan-like wings.  They drift over nightscapes, sometimes with cherubs in their arms or waft over wintery scenes trailing cascades of snowflakes and crystalline stars. Ick. You never see an angelic being rendered in reality - like say, Vin Diesel in Riddick for example. Now there's a real visual of an angel. A big, bad, brutal force that destroys everything in his path by simply being in the wrong place at the right time.

It says in the bible that angels are sent by G-d to regularly cleanse the world. Honest - dig this:
Psalms 78:49
He sent upon them His burning anger, Fury and indignation and trouble, A band of destroying angels.
- See more at: http://bible.knowing-jesus.com/topics/Angels-as-agents-of-judgment#sthash.6IPgtoSv.dpuf
Psalms 78:49 -- "He sent upon them His burning anger, Fury, indignation and trouble, a band of destroying angels."  In Psalms no less. Angels arrive to take out Sodom and Gomorrah; they kill the first born male child of every Egyptian household; they destroy the Assyrian army in one night. You could say that the angels are the bad biker boys of heaven. They are given too much power by everyone, including G-d. They are all about destruction when they aren't trying to boink a human female they find comely. 

And they are angry about everything: they are angry they are not human; they are pissed off they are not gods; they hate not being regarded as bad like the demons; and to top it all off, people think they look like dainty schoolgirls.  Trust me on this one -- when the angels arrive you better run for the hills, because they are ready to knock heads, kick butts and take names for later beating sessions. Gustav Davidson, author of a Dictionary of Angels says quite simply never invoke an angel unless you are ready to be scare witless. I agree. I have a godson in Haiti who shared the story of angelic invocation that was performed in a secret sosyete outside of Port au Prince. "Cho! Anpil, anpil!"  he said - Extremely Hot! And he wasn't referring to the work, but the room temperature when the angelic being appeared briefly. I am not sure I would want to be in that place even for a second - I will refer you back to the story of Lot's wife (she was dehydrated into a pillar of salt by the mere presence of the angels...)

And what of the Demons, the Angels less fortunate brethren?
Psalms 78:49
He sent upon them His burning anger, Fury and indignation and trouble, A band of destroying angels.
- See more at: http://bible.knowing-jesus.com/topics/Angels-as-agents-of-judgment#sthash.6IPgtoSv.dpuThey take down Sodom and Gomorrah with their mere presence. They destroy the Assyrian army. They kill male children in Egypt. They even tried to take down Jerusalem itself, but G-d had to come call them off for that one.And what about their poor counterparts, the demons?

Remember, the word "demon" was used interchangeably with angel for a long time in the old grimoires. Angels and demons were both considered otherworldly, and sometimes its hard to tell who is who in the old writing. Yeats often wrote fondly of his demon; my own lineage mother Dion Fortune wrote an entire book on her Demon Lover. Even my teacher Dolores Ashcroft-Nowicki refers to her Indweller as her personal demon (and I know a thing or two about that as well, I might add...)

It seems to me that there is a fondness for the demon that is not shared with the angelic and for good reason. The demons live here with us. They get down into the muck and mire of this world, swim along in our wretched emotional currents and find solace in our misery.  The demons are like our own personal Emos - they've been so thoroughly marinated in our essences, they have evolved to become more human than they realize. Take the Goetia, for example. Many excellent magicians have been working the Goetic realms now for a couple decades. Folks like Stephanie Connolly, Lon Milo DuQuette, and Poke Runyon have written volumes about the demonic horde, making them feel more like misunderstood outsiders than hell raisers.However, they are still demons....

Lately, I have been overly involved with Gremory. She has proven to be a powerful ally and has done some amazing work for me, as well as a series of clients. Although she has come forward on her own, I am careful not to ask too much, engage her too often and always finish my deal, regardless of the outcome. I am currently working on a commission for a client that is a shrine for Gremory's spirit vessel.  I also made and consecrated the vessel a year ago.  Gremory brought the client a true love and they are expecting their first child.  So you can work with demons -- just carefully.

I think of demons as your biker brother. He's a Hells Angel (literally), and he make everyone nervous at Sunday dinners with his bad manners, excessive drinking and leering at the young girl cousins. But -- he will kick someone's butt if they look sideways at you or disrespect your mother.  You might not party with him on Friday nights, but you enjoy the occasional beer and chat now and then. Demons are like that - entities worth calling up for a purpose, but then putting away from you for a time.

I don't work with demons like Connolly does - no blood offerings or demonic weddings for me. Nor do I take the slightly psychological approach of Duquette. I do it the old fashioned way. I call them up with praise and song. I entertain them and we do our dance together, I ask them to work for me, make my offer of payment but then it's finished. Like the biker brother, I'll happily pay for the beer, but at the end of the night, we part ways in peace. Keeps the temple clean, my mind calm and the house peaceful.

As for Gremory, she's here for now. I found a statue of her that I love and I am going to paint it for her, in payment for something I've asked for. The shrine will be completed this weekend, and sent on its merry way to the client shortly. The client and his partner are naming their new arrival "Gremory."  Hey, we've all got a little bit of demon inside us. This time, its the real deal: a demonic lover that will be his to command now and forever. I wish them all the best - she's a beauty, but her camel can be pretty stinky.

"Midnight at the oasis,
Put your camel to bed..."

Tuesday, June 30, 2015

The Building of a Shrine - Part One

Shrine making is a big part of my creative output. I have a loyal following who love my art and ask for specific shrines for their spirits. I have detailed elsewhere my Ghede shrine for a client. Today, I want to begin sharing my journey for a shrine to Gremory, the goetic spirit who brings people together and who is exceptional at divination.

I had made this client a vessel last year. It brought him a girlfriend who turned into a partner and now they are having a child. He contacted me again, to ask if I would make a shrine the vessel could be placed in for safe keeping. Of course, I replied, let me begin.

The first thing was to find something that will serve to house the vessel. It can't be too big or too heavy. Shipping becomes prohibitive when these items go over 50 pounds. I found an octagonal cabinet at my local thrift shop that will be perfect. Round, with some exterior design, and made of a lightweight resin material.  That's excellent as I work in acrylic paint, so it will adhere without issue.

Cleaning comes next. I use rubbing alcohol, to lift grease and anything "else" from the surface. It roughs up the finish enough, so my paints and glue can adhere without fault. Nothing worse than sending your finished piece off to someone, only to have its bits and bobbles drop off.

Then four coats of primer to seal it and give me a clean canvas to work with.  This is followed by my initial three dimensional embellishment. I keep a supply of wood ornaments, metal and plastic do-hickeys around, so I have a big palette to pick from. My teacher, Michael DeMeng is big on keeping large boxes of items handy, so you don't have to stop the process of decorating as you go. I agree. Nothing is worse than having to hunt for that "something" while you are in the midst of your creative heat!

The embellishments are further added to by my all time favorite art item - DAP.  Good old caulk. If only Home Depot knew where their caulk goes. I use it to finish the exterior, make wavy lines, anchor the wooden ornaments and texturize the surface, a la DeMeng.  After applying the caulk with a large (and slightly heavy) caulking gun, I use a brush, a comb, my fingers and anything else I think leaves a cool impression.  I draw vines and leaves with it, pull it into points, pile it on, then scoop it out. It's very forgiving and if I don't like it, I can easily change it. At about a buck a tube, art supplies don't get any cheaper.

Then, I hit it with a heat gun to fry it.  The surface bubbles up like soap bubbles then falls, making dents and pools and places where my washes can slop together. It's messy at this point, but it gets better over time. I usually do this three or four times, giving it 24 hours in between to dry. The more texture I can create, the better the finish when I begin painting. I even "paint" the caulk over the wooden ornaments, to help them be less perfect. If I have learned anything from DeMeng, it is that imperfection is its own kind of perfect. As a graphic artist, I was trained to make straight lines, balanced compositions and keep everything ultra clean and sharp. This is freeing to me - using my hands, making a mess and seeing how the imperfect method becomes a thing of beauty. I am drunk on imperfection these days.
After working my way through four tubes of caulking and applying the first round of embellishments, I paint the whole thing white again. It kind of resembles a decaying Gothic wedding cake at this point. I will admit that is how I work with the caulk.  It's a bit unwieldy using a caulk gun, but it's just like icing a cake. I cut off the tip a number of times to make ribbons, dots, leaves and rose buds. And the best part is that when I make a mistake, I just smear it off, and begin again. The smeared layer I go back over with the heat gun to make it look like burned skin. Evilly wonderful.

 I also have to consider the interior at this point as well. Won't due to finish it on the outside, then mar the surface trying to decorate the interior. I will be hanging red velvet curtains in side, to further enhance and uphold the lush nature of the cabinet.

Once this initial coat of paint dries, I will be placing a base coat of color onto it. That will mean three layers of wash in three tones to give it depth and richness. When that coat dries, I will evaluate it to see if it needs more bits and bobbles. In this business, one can never have enough embellishment.

Thursday, June 25, 2015

Working with Spirit Says Much About Who We Are: The Result


(Yesterday, I wrote about the ritual we did with Simbi Makaya this past weekend. A fiery, hot Kongo spirit, he worked hard, and focused on one initiate in particular. This is what occurred following the rites.  The results are not typical, and each rite can end very differently. -- Mambo Vye Zo)


 
Monday afternoon, AK called.  He said he was surprised by how quickly the gad had worked.  I asked what happened.  He then related to me the events that had occurred on Saturday at home around 8pm. That was approximate to the time we were in ritual here with Makaya. And it was so clearly a Makaya event, I was surprised too, but then – it is Makaya we speak of here.

Apparently, AK and his partner (who I will call PK) have been experiencing tremendous difficulty with a neighbor's family and dog.  This neighbor’s kids are obnoxious and loud.  They constantly damage people’s property at the townhouse complex where AK lives.  The same neighbor’s dog is a nuisance. It appeared on AK’s patio area and barked threateningly at him and PK through the patio doors.  Repeat complaints to management and a trip to court have resulted in multiple fines for the neighbor who still continues to let the kids roam the neighborhood unsupervised.  Their dog is always outside off leash, charging at people and defecating everywhere.  

Saturday evening, PK texted AK, saying she caught the one of the neighbor’s boys climbing over their gate to get into their patio.  She was angry, as she’d previously told the boy she did not want him doing that. However, it felt rather pointless to complain, as she and AK had  tried everything to stop this behavior, yet the family continued to allow their boys to roam unrestricted in the complex.

On Sunday evening, PK thought she heard explosions.  A bit later, she was surprised to see a fire truck and approximately ten firemen in the backyard by the bad neighbor’s patio.  There had been a fire, one that did not damage any other property but this neighbor’s. AK observed that Makaya certainly cuts with precision: one side of the neighbor's planter box was completely ruined and will have to be rebuilt. Much of the junk stored on their patio was toast, literally, and the divider separating their patio from the unit next door was singed only on their side.

All this occurred around the time Makaya was sitting with AK here in Pennsylvania, and talking about AK’s partner.  I was a bit taken back, not by the action of the fire (that made perfect sense to me,) but by the immediacy of it all.  I said to AK that Makaya doesn’t do huge damage unless warranted. Mostly, he is a tit-for-tat kinda guy.  Like a mafia godfather, he inflicts revenge and quickly for those he likes.  Obviously, he likes AK (and PK by association.)  I am sure the neighbor will be busy with their own damages, and hopefully not with AK and PK's property. I reminded AK that he promised to create a sculpture of Makaya.  (AK had asked what he looked like, and of course, Makaya was very pleased to answer in detail.)  Makaya is such a narcissist that having his image created was enough to get him to act without asking.  It seems the King of the Sanpwel is quite taken with my initiate, agreeing to protect him for a graven image.

This is how a bargain is often struck in Haiti between a servitor and spirit.  A vodouisant will be approached by a spirit looking for a relationship. It can happen in ritual, in private work or just on the street.  It’s not unlike meeting a new person and asking to become friends. Sometimes there is a formal introduction as there was on Saturday night.  Other times, the spirit makes itself known either by approaching the servitor in dreams or through active engagement. If the servitor agrees to the relationship, then the spirit will work with or for the servitor. 

It most often happens with a ghede spirit. Despite the proliferation of Lwa on the web, the ghede are the most readily available to work. They are bored, restless and want to be of use. Striking a bargain with the living is one way they can make amends for their lives, be productive in their spiritual  amelioration and find solace in their loneliness.  Many of the dead in Haiti have not had the cleansing rites of consecration that free them from their earthly bondage. By working with or for a servitor, they can earn their way into the next life, escaping their earthly imprisonment and moving forward on their own path.

But it has been known to happen with a larger energy stream such as a specific Lwa as well.  I reminded AK that this was a special scenario, that it might not repeat itself, and that he should pour only a single shot of Dewar's for Makaya if he felt inclined to do so.  For all we know, it could have just been a coincidence. But I think not. After we hung up, I thought about this event, and realized a deeper truth.

I believe that perhaps AK and Makaya have had a long standing relationship, one that transcends this lifetime and dimension.  The spirits are omnipresent and omniscient.  If, in another time or place, AK worked with Makaya, then the godfather of Vodou would certainly remember his faithful servant.  I was told Makaya spent a lot of time with AK.  He was also quite taken with one of the Mambos and one of the Sevi Kanzo kids.  I believe that when a spirit comes calling unbidden, you and it have a long standing relationship.  If you didn’t believe in the continuum of life, then this could surely make you into a believer. How else would one explain the confluence of Makaya sitting with AK and asking about his partner, while simultaneously extracting revenge for the partner (unbidden), on the neighbor?

As Makaya renews his relationship with AK, I will say that this isn’t a bad thing.  But it needs to be handled with care and thought.  Just as the Godfather in the movies would ask impossible things in payment for favors, I would urge caution in asking anything of this Kongo entity.  The universe that birthed him was a harsh one. And his work here is often the same.  How we act with spirit says much about us as magicians.  Invoking a dangerous spirit for fun or entertainment tells me that you are careless and thoughtless (and will most likely be bitten by said entity for wasting its time…) Ask a deeply moving question of the same entity and you might be surprised to find a powerful and faithful ally by your side.

When handling a dangerous being such as a deadly serpent (or a fiery spirit like Makaya) protection is the primary gesture.  We must act protectively to ensure a good outcome.  All Spirits are the mirror of Heaven; they are both terrifying and beautiful -- angelics as well as demonics. We are their reflection here on earth (angel or demon, take your pick these days...)  When Heaven and Earth connect with one another, a calm demeanor, a firm hand and a decisive Will ensures a good outcome for both parties. Otherwise, all hell will rain forth. And no one wants that to happen, especially this mambo.


Makaya! O ye Makaya!
Makaya, O ye Makaya Lembo!
Makaya men soley, ap leve djabo!
Makaya!
 



Wednesday, June 24, 2015

The way in which we work with the spirits says much about ourselves.



Part One: The Ritual
I recently gathered the Sosyete’s initiates for a weekend of magic, service and just fun.  Having eight assons in ritual space is pretty impressive stuff, and very powerful. We gathered to work Makaya this night, making magic, wanga and pwen.  Simbi Makaya came forward a month ago in my own ritual work, looking for me to acknowledge and serve him again.  He was very clear with me and several others that we were to invoke him. He was ready to begin again.  I felt it was time, having corralled Makaya due to a rather distasteful event he was part of last year.  I thought that his time out had cooled his over-eager desire to “help” me. And I use that word in the broadest sense. You will see why as you read down.

Simbi Makaya is called the Godfather of Vodou for a good reason. He is not some airy-fairy kind-hearted spirit. He is direct in his dealing, morally neutral in his choices and doesn’t give a hoot what anyone thinks of him.  He is huge, fiery, and angry.  The kind of anger that simmers until it reaches a boiling point and then spills over into danger.  Makaya comes from the Kongo state in Africa, where some of the hottest and most dangerous spirits originate.  In Haiti, one does not work in the Rada-Petro didactic method of service with Makaya .  Makaya is not Rada or Petro. It is a separate set of rites with its own reglemen, and is served by the Bizango and Sanpwel societies. It is so secret, that if you are not Haitian or initiated into it, you will never be a part of it.

Rough estimates say there were over 350,000 African slaves at the time of the Haitian revolution who had only recently arrived in Haiti – some as recent as three months prior. They were warriors, military men, and prisoners of the Kongo wars for land and people to work that land.  They were mad as hell, first at being in bondage to a King that wasn’t their own, and then for being sold into slavery.  They were not about to accept their bondage. They were ready, willing and able to take down the white planters and affranchise classes.

The Kongos also were the majority nation of the maroons, the runaway slaves who retreated to the interior of the island. Their leader was a man named Boukman Dutty.  Dutty ignited the revolution by setting fire to the sugar cane plantations outside of Cap Hatien.  So great was the conflagration, that the clouds two miles out into the Caribbean were lit up by the flames. These were dangerous times for everyone – masters, slaves and maroons.

I give you this little bit of history, so you have some context for what happened to our sosyete and one member in particular Saturday night.  We are fine, so let’s begin there.  When one works with the Lwa, it’s like the airplane warning for crash landings: put your oxygen mask on first, before helping someone else. When we work with Makaya we make sure we are safe before we invoke this fiery, hot spirit. So please be assured -- we are ok and so is everyone in the sosyete.

We had lectured and taught all day on Saturday about pwen, wanga and client work.  We discovered our own intentional power, and were ready to rock out in Makaya style that evening.  After a solid dinner, with offerings presented and space consecrated, we opened as usual with the Rada court, sang our way to Danbala, took the break, and came back to sing full on with voices, clapping hands and assons going full throttle.

We sang through the Reglemen up to the Kongo nation, before we swung into Simbi Makaya’s songs.  Having spent many years collecting, we have an excellent repertoire of songs, and could sing without repetition for a dozen or more tunes.  I was worried about the houngan holding Makaya, so I had coached all day to everyone that a passé was as good as gold.  We began singing, and dancing.  The houngan grew red in the face, and broke out in serious sweat. The room became intensely hot.  I could feel the sweat running down the middle of my back.  Everyone’s faces grew shining, then had little rivulets of water running down, but we kept singing.  And then -- I could feel something – the coppery taste in my mouth was overwhelming; the dizziness and the tilt of the room off putting.  The houngan saw my stress and rushed to me, touching his forehead to mine. A blaze of bright light tripped me up, and like Alice I fell down the rabbit hole.  I re-entered reality 45 minutes later, with my skin on fire and bright red like a sunburn. Some of the mambos rushed to get me water to drink and cold damp towels to cool my skin. We closed the night as usual with a recitation of songs, followed by coffee, rum and a summary of what had happened in my absence.

Makaya was stable, but many people said they could feel his underlying anger. He seemed tense, on point, tightly wound but highly controlled.  He demanded cigarettes and whiskey, drinking down a quarter of the bottle on the first sip.  Having settled into his smoke and glaring down his nose, he demanded to know what he was doing in the house. The houngan explained that people wanted to receive his gad for protection.  Payment was negotiated and accepted, and then the work of giving the gads began.  He called each person over, questioning them about the gad and administering it with quick efficiency. When AK knelt, Makaya seemed highly interested him.  They conversed quietly, and Makaya gave his gad extra attention.  When all the work of the night was done, Makaya lingered for another pull on the Dewar’s and another round of cigarettes. He pointedly answered a few questions, curtly reminded us of his payment for the gads and was gone.  I returned to the current time dazed, hungry and very thirsty.

AK told me later that Makaya expressed interest in AK’s woman.  I told AK not to worry; interest is not the same as doing anything.  His partner was not under any obligation to do, say, or be anything. That’s just the spirit talking.  Makaya is a blowhard, and will always puff out his chest to make a big show.  Saturday night finished with rum and a late dinner.  We talked about the fet, the Lwa who came, what was said. Folks had questions about the gads, but I asked to be allowed to crash.  I promised to answer all questions the next day, so the night ended with bed and blessed sleep for all.

Sunday was a refocus day. Having spent a good amount of time in ritual on Saturday with such a powerful spirit, people naturally had questions. The first was how to care for the gad.  Second was what to expect if it went off.  And thirdly, when would we all make payment to Makaya.

First off, I explained that the gad required nothing of them. It would simply be an early warning system; a way for them to know when there was danger nearby and to make preparation to deal with it. I also told them it could be many kinds of danger – bodily, mental and spiritual.  My own gad acts like a hair has fallen down my arm.  The feeling continues, until I do pay attention and act in whatever way is necessary to keep myself safe. It would be the same for them.

If indeed it did go off, the deal for protection was simple:  allow Makaya to do whatever was necessary in the moment.  That’s a big one – we want things fixed but we often put the brakes on the work as well.  “Help me, but don’t do this or that. Don’t hurt him/her/it, just make it go away.”  That is not how the deal works with Makaya.  You don’t get to dictate how he does his work.  You have to accept whatever he chooses to do.  I teach all the time that the Lwa are morally neutral entities. To expect them to act human is to deny their natural abilities.  They are like a knife.  A knife can cut food to sustain you or kill someone to save you.  Wielding that knife takes skill and finesse.  Working with Makaya is the same thing.  I don’t tell him what to do.  I just ask that my godkids be safe.  It’s his choice to do as he sees fit.  I reminded the godkids that even Makaya is beholden to the Almighty and cannot do anything without it being BonDye’s will.  That is a point often forgotten in all the magic and smoke and whiskey and bragging that goes on with him.

And finally, payment for this gad (like all gads) is a blood offering.  We will be buying a lot of roosters next year to fulfill our end of the bargain. But in this area, my godkids are good. We do blood work for Kanzo and other rites in Vodou. They’ve all assisted and seen how we do this work.  We do it with humility and with compassion.  Death is a swift gesture, meant to cause little pain and suffering.  Our African teacher showed us how, and we work in the African manner. (If blood work is not to someone’s liking, then a gad won’t work for that person.)  Having satisfied all questions, everyone said their goodbyes and headed off to planes, trains and buses for home. Sunday night was rum and coke with old friends, and a review of the weekend. We were very content all around.

(I will finish the tale in tomorrow's blog.)